Serveur d'exploration sur la Chanson de Roland

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From the living room to the museum and back again

Identifieur interne : 000D20 ( Main/Exploration ); précédent : 000D19; suivant : 000D21

From the living room to the museum and back again

Auteurs : Elizabeth Emery ; Laura Morowitz

Source :

RBID : ISTEX:D5109164F5A83879D048F5E03E15E9420EEEBF9F

English descriptors

Abstract

No longer the sole province of the cultivated private collector, by the fin de siècle medieval works could be seen and enjoyed by a large public. This article raises several important questions related to the intersection of private and public appropriation of medieval objects in the final decades of the nineteenth century. What was the relationship between the antiquary of old and the modern collector who filled apartments with medieval treasures and modern replicas of Gothic masterpieces? How did such private consumption reflect and influence larger public displays of medieval objects in the period? And at what level did popular consumption of medieval objects connect with scholarly research and the didactic goals of the national museum? In exploring these questions, we trace the journey of medieval works of art at the end of the nineteenth century, from living rooms to major public displays (museums and World's Fairs) and back to the sanctuary of the private interior.

Url:
DOI: 10.1093/jhc/16.2.285


Affiliations:


Links toward previous steps (curation, corpus...)


Le document en format XML

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<div type="abstract" xml:lang="en">No longer the sole province of the cultivated private collector, by the fin de siècle medieval works could be seen and enjoyed by a large public. This article raises several important questions related to the intersection of private and public appropriation of medieval objects in the final decades of the nineteenth century. What was the relationship between the antiquary of old and the modern collector who filled apartments with medieval treasures and modern replicas of Gothic masterpieces? How did such private consumption reflect and influence larger public displays of medieval objects in the period? And at what level did popular consumption of medieval objects connect with scholarly research and the didactic goals of the national museum? In exploring these questions, we trace the journey of medieval works of art at the end of the nineteenth century, from living rooms to major public displays (museums and World's Fairs) and back to the sanctuary of the private interior.</div>
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